"Emotion," "intelligence," "creativity" No, I'm not trying to sell you a luxury sedan or a Swiss watc
By Changeist • Issue #16
“Emotion,” “intelligence,” “creativity” No, I’m not trying to sell you a luxury sedan or a Swiss watch. These are terms that are increasingly—and quite loosely—applied to machine learning. Applications and devices, we are told, can “sense” or “know” human emotions like a person. The terms “artificial intelligence” and “AI” are being attached to practically anything that can respond to a database query at the moment, rendering the definition of what constitutes intelligence in machine form functionally meaningless. Poor Alan Turing’s initial concept of a test for machine intelligence has been left drowning in the rush to ride the frothing white peaks of the hype curve. 
And now creativity has come in for the same treatment. DeepMind’s doodles are positioned as art (a different, and quite interesting strain, perhaps, but same as human art? Have we finished that debate?). Google’s AlphaGo matches of human player vs machine have been reported and retweeted with evangelical fervor, with oohs and aahs about the creativity of AlphaGo’s play. Yet, is applying a novel combination of possible moves creative, or working through an (admittedly highly complex and adaptive) instruction set?
My point isn’t to set out firm definitions, but to ask if the conversations around these definitions are settled to the point where developers and marketers can claim victory conditions and move on. Roelof Pieters and Igor Schwarzmann both touched on this on Twitter recently. Hey, people have product to sell, I get it. But don’t we lose a bit (or a lot) when we let sloppy definitions slide through? How do we know when the real achievements have been made?     

Activity Log
Forum for the Future was kind enough to invite us to contribute, which I did in the form of an essay on using the IoT for everyone, not just a relative first-world few. Follow the link to find out how to purchase a copy of this great annual publication. 
Before Google, there was (and still is) IBM, past masters of technology marketing. Ask yourself, considering AI’s potential future impacts, do you want its definitional boundaries set by a Super Bowl ad? 
Samim Winiger and Roelof Pieters have started an interesting series looking at this very issue of what constitutes creative AI. Part I is out on Medium, and provides an interesting thumbnail history.
One bit of fallout from poor public education about technology is the inability to properly assess impacts—and possible economic consequences—of that technology on their own lives.
The Network
That Dr. Dan Lockton is on it again, making sense about agency in design. 
Tobias Revell questions what we know about knowing. 
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